Saturday, March 28, 2015

A Lizard in a Sweater Holding a Banner

I haven't posted on this blog much lately, but I thought this piece warranted a post. This was a birthday illustration that I'm hoping to alter slightly and turn into a greeting card one day. I tried a slightly different approach with this one, using pencil for the outline instead of pen, combined with watercolor, to get a softer look. I'm happy with the way it turned out, but I think I still need to do some tinkering with the technique. I also did this drawing without looking at reference photos which gives it a slightly more illustrative and less realistic feel. 

Since the last time I posted here I've started making greeting cards with my work on it, including several Bill Murray pieces that I made for a Bill Murray themed show at Good: A Gallery here in Portland on N. Mississippi and N. Skidmore. All my new cards and prints are available at my Etsy shop, and if you happen to live in Portland you can buy them in person at Flutter on Mississippi St. (When you're there please give their store cat "King" a good head scratching for me!)

My cards are also being sold at Skylight Books in Los Angeles and Elliot Bay Book Store in Seattle, which is very exciting for me. Even though I haven't posted here in a while that doesn't mean I haven't been drawing! I'm always uploading stuff to my Instagram feed (beardedmaladies) and to my Facebook page. Sorry for all the self promotion but I've got a lot to update you guys on! I have a show coming up in June at Paxton Gate here in Portland which will be an extension of my Insect series I did back in September of 2013. I've been having fun working on new bug paintings and I'm looking forward to sharing them on here soon. Okay, is that all? I think that's all. Bye!

Wednesday, October 15, 2014

Bat Gramps

Wow, it's been quite a while since I posted an actual drawing on this blog. So long, infact, that I bet you thought I had given up on it. Not true! I've been drawing up a storm and here's a picture to prove it. As a companion piece to last years "Darth Paul" I decided to draw my grandfather as none other than the caped crusader himself! I still have a little more work to do on this one, but I thought it was finished enough to share with you guys. I'm planning to continue this series just as soon as I think up some more characters for my grandfather to be. 

If you have any suggestions let me know in the comments!

Monday, September 22, 2014

Bustin' Loose

Going into this class I was probably most excited about learning how to sculpt a bust. As a fan of portraiture I'm quite drawn to busts and always saw it as a natural progression for my own work.

As usual we spent an entire 5 hour session working from a live model for this piece, but I spent most of my time working on it at home from digital images taken during the session. Here are a few photos of the bust pre-firing.

They all start bald like a baby

Getting there

Here's the finished version next to his doppelgangers, waiting to be fired

Side view

This piece is a good example of how over glazing can ruin a piece. I wanted this piece to turn out well so badly that I spent too much time fussing with the glazes, instead of performing careful glaze tests prior to the final glazing. The end result was a muddied mess.

It wasn't a total disaster, but I wish I had put as much care into glazing the piece as I did in sculpting it. Oh well, lesson learned. Hopefully this will just be the first bust of many. 

Sunday, August 31, 2014

Back to the Figure

This is one of the first finished sculptures I produced in the class. I think it may have been from our second session. We worked on this pose for around five hours in total from a live model. As you can see the left arm broke off when it was fired and I had to reattach it with gorilla glue, but I have to admit that I do like the character that the crack brings to the figure. Surprisingly this is one of my most successfully glazed pieces. I used a red iron stain on the figure which I then wiped off so it would only remain in the indentations. 

I was a little more successful in defining the back of the figure than the front. At this point we hadn't had a lot of practice working on faces, so you can see that mine is a bit out of proportion and less defined. As are the hands and feet. The model was incredibly skinny, which provided a lot of good musculature and bone indentation to define. When it comes to drawing and sculpting people I always prefer bodies that are a little more extreme. Skinnier, heavier, wrinkled. They just make for more interesting subjects. Beautiful people are just a bit more boring to render, in my opinion. 

It's interesting to me how the mood of the sculpture changes depending on which direction you look at it. Which viewpoint do you like the most out of the top three?

Friday, August 29, 2014

Heads II


I think my second attempt was a great improvement on the first. Though, as you can see, I still need to work on my glazing skills. The proportions and features are much better defined in these, and I added a neckline and the beginning of shoulders which really help to visualize the rest of the figure. Ears also do a lot to contribute to believability, as well as hair and eyebrows as seen in the figure below. These were the only pieces that I did without a model in front of me, so next time I'll post some full bodied figures from live modeling sessions. 



Wednesday, August 27, 2014


I recently took a figure sculpting class. I've been wanting to branch out into three dimensions for a while so this seemed like a good option, though it turned out to be more difficult than I had anticipated. I'd like to share some of my work from the class, starting at the very beginning, so you can see my progress.

Here are two heads that we were assigned to make for homework, without a visual reference. We were taught the basic dimensions of a human head and its features, and told to make something unique. Let the clay do what it wants to, instead of trying to force it to look a particular way. My first attempt ended up looking a bit like Steve Buscemi.

The second head's features got a little muddied when I glazed the pieces. Glazing is a whole new world of difficulty to master. Overall, this was a fun assignment, but I couldn't help being a little disappointed with the outcome. We were eventually given the same assignment again, but I'll save that for another day. 


Tuesday, May 6, 2014

Domino Scrimshaw

I've been experimenting with the whalers' art of scrimshaw the last couple of days. Mammoth tusk and whale bone are a little tough to come by these days so I decided to test it out on a plastic domino. I got the domino set from an estate sale hoping that it was ivory (which would have been a huge find) but it turned out to be cheap plastic. I guess I was a little too hopeful.

The plastic isn't very porous so the ink has trouble sticking to the etched lines. I've heard deer antlers make a fairly good substitute, and if I wasn't worried about permanence I could always use soap. 

Still, this was a fun experiment and I hope to do more in the future.